THE ADDICTIVE SKETCHER -The book is here!! (SIGNED COPIES)

Thanks to all who have placed their orders with me already. I can’t thank you enough!
For those who haven’t placed thier order, please CLICK on the secure link below to place your order, and if you want a particular message to be in the book, just send me a message and I’ll add that in too.

http://bit.ly/addictive-sketcher

 

Adebanji Alade Has 4 Paintings At The Royal Institute Of Oil Painters Annual Exhibition At The Mall Galleries (27th November -8th December, 2019)

I am pleased to announce that I have got 4 paintings in this years Royal Institute of Oil Painters Annual Open Exhibition which opens to the public on the 27th of November, 2019 at the Mall Galleries and continues till the 8th of December, 2019.

Don’t miss it!

London Rush Hour, Oil on canvas, 100cm x 50 cm.

 

Waiting for You, 20 x 25cm, Oil on Board

 

Reflections, shadows and Colours, St Pauls, 40 x 30cm, Oil on Board

 

Blaze and Shade, Oil on Board, 20 x 25cm

A few Portraits from my Deliberate Practice Series

These are a few portraits from my Deliberate Portrait Practice Series.

NUMBER 44- MORNING LIGHT 4 (SOLD)

 

 

 

NUMBER 88, MARIAN, (SOLD) Oil on Board, 6 x 8 inches

 

NUMBER 98- THE BRIDE (SOLD) 6 x 8inches, Oil on Board

 

NUMBER 105-KAYLA, (available) 6 x 8 inches, Oil on Board

 

NUMBER 111 JEAN CLAUDE MADHERO, 6 x 8 inches (SOLD) Oil on Board

 

NUMBER 63- FOR INSPIRATION, 6 x 8 inches (Available) Oil on Board

Interview with Helly Ifeagwu

Interview with: Artist Adebanji Alade

Target Publication: “Time Out” London, Magazine. The Magazine has an “Art” section in which it regularly publishes articles either reviewing exhibitions or interviewing artists. Adebanji’s (rags to riches )success story would inspire many artists out there, who are perhaps struggling to find success.

Title: The Path to Success Nobody Tells You About

 

“When I came back to London, I couldn’t fit in. It was a culture shock. I have to say for once in my life I wanted to quit art.” It’s hard to believe that these words, radiating an energy of deep dejection, come from Adebanji Alade, the Addictive Sketcher, who epitomises every artist’s dream of success, himself. But behind the façade of recognition and achievement, his path to becoming the first black member of the Royal Institute of Oil Painterswas paved by rejection.

 

Indeed, there is yawning gap between the Hackney-born artist’s initial qualification by the Nigerian Yaba College of Technology in 1997, and his acclaim to membership of the prestigious Royal Institute of Oil Painters of London in 2015, just one of his many achievements.

 

Adebanji is an artist of many media, though his heart has always lain with the basics: sketching. His first introduction to art at the age of six was through sketching, which now, years of continuous development later, still defines his work as an artist.

 

 

 

“If people wanted to remember me, let them remember me for this,” Adebanji states, confidently patting his hand on one of the innumerable mountains of sketchbooks that fill the surfaces of every desk in the studio. On the walls, a myriad of portraits and landscapes in all shapes and sizes; the physical manifestation of hard work.

 

Today, Adebanji has parlayed his success into a membership of the Guild of Fine Art; the Council of the Chelsea Art Society; a regular part in The BBC’s One Showinterviewing celebrities such as Jeremy Paxman while sketching them; a blog with a huge following; multitudes of exhibitions, motivational workshops and more.

 

Adebanji, however, begins his story at a time when he was bereft of hope and financial security, with only his wife supporting him.

 

In 1997, The exciting prospect of starting his career as an artist drew Adebanji back to London at the age of 27. “I came with all my African art,” Adebanji remembers, “they were not embracing it here. It hurt so badly because I thought everything I’d gained in Nigeria, but nobody was into it.”

 

Facing continuous cycles of rejection upon submitting his works to exhibitions, Adebanji fell into what he retrospectively describes as depression. His promising dream to pursue a career as an artist was burst by the reality of exclusion from the English art world. He quickly encountered the cultural differences that also extend themselves to the art world.

Helly Interviwing Adebanji at his studio in Chelsea

Spending just a few moments in his presence, it’s hard to believe that the Addictive Sketcher, exuding the exciting, magnetic and passionate energy of an artist and motivational coach, too, has experienced hardship.

 

Struggling to put his talent to work, Adebanji turned to a teaching job at St. Mungo’s, a homeless charity in the early 2000s. “I thought okay, if I can’t do anything here, I need to volunteer and help someone.”

 

Working as an activity and talent development worker, Adebanji taught basic art skills to the homeless, often also taking them to galleries and museums. “It was very fulfilling”, he smiles.

 

Just sitting across from him, I can feel Adebanji’s aura of wisdom and experience, as he explains his story. There is no doubt, Adebanji has mastered the skill of learning from mistakes in life.

 

“The worst thing that always hit me, is that there’s a thin line between where we are, and being homeless. I had a paradigm shift – I saw directors, I saw doctors, I saw company owners, ended up on the street. Being in that environment wasn’t easy, but it was rewarding seeing them move on from it.”

 

But I ask on behalf of all dreamers who have experienced struggle: how did you snap out of the rut?

 

Adebanji traces this moment back to Nigeria. It was when he was reunited with all of his well-known artist friends, that a switch flipped in his mind.

 

“They were asking me what are you doing with your life now in London? And I was ashamed I couldn’t say anything,” he says.

 

One day at morning prayers, one of Adebanji’s friends read a biblical verse about Samson, a man who is given superhuman strength through his hair. But when he is betrayed by his lover, Delilah, his hair is cut and he loses his strength. Despite this, Samson heroically hauls himself out of the rut and regains his strength.

 

“Creative people, the thing about us is that when we’re not creating, we’re not serving our purpose,” Adebanji had realized.

 

If there’s one thing that sets apart the leaders from the lost, it’s the ability to form clear goals. Adebanji was going back to London; back to his art. He was going to listen to his heart.

And so, in 2003, London would see a new Adebanji: someone with an open mind and determination. He would start from scratch, attending the Heatherley School of Fine Art from 2003-2005 to “learn what the British appreciate”.

 

He says: “If you’re hungry for something and you’re determined to get it, every door will open for you because you’ve changed your mind set.”

 

“I mean were the schools not already there? They were,” he laughs.

 

In the abundance of stories Adebanji tells me, there is one striking trend: he stays persistent, but changes his approach.

 

It was this determination, that brought about a miracle in Adebanji’s career.

 

The Royal Institute of Oil painters is the association of leading oil painters in in the country. Founded in 1882, it is notorious for its exhibitions that maintain a ‘standard of excellence’. Adebanji shot for the stars. He would continuously submit his works to the institute through many cold years of rejection, but remained faithful he was going to make it.

 

In 2006, the unexpected “D” for doubtful that he received for one of his submissions, fuelled the fire in Adebanji, to dream even bigger.

 

In 2012, he was elected an associate member of the Royal Institution followed by the big break: he would become a full member in 2015. “I was ecstatic! Over the moon!”

 

Adebanji Alade exemplifies what happens when you dream big and have faith in yourself. This is advice we are taught at a very young age, but Adebanji is one of the very few that applied it, with only his dreams to model the way.

 

When he excitedly tells his story, Adebanji can’t help but interweave his recount with limitless gems of advice he’d gleaned from what others may describe as failures. Adebanji however, remains humble and grateful for all of his experiences.

 

“I want to stand for the fact that it’s possible.”

  • article written by Helly Ifeagwu.

 

The Front Cover of My New Book is HERE!

 

 

 

My new book – THE ADDICTIVE SKETCHERTHE FRONT COVER of my new book!!!!
SHOWDEMMMMMM!!!!!!! In bookstores in January 2020- but if you can’t wait you can pre-order on amazon, search press and penguin sites.

Adebanji Alade believes that everything in art begins as a sketch, and his mission is always the same – to instil his work with the power and immediacy of the sketch. This book will show you how.

Giving an insight into how this inspiring and talented artist works, The Addictive Sketcher passes on Adebanji Alade’s infectious enthusiasm and will have the reader reaching for a pencil or pen to have a go. Adebanji has a skill and a passion for speaking and motivating his audience in a fun and engaging way, and this is reflected in his writing style.

Lively, stimulating and instructive, it is packed with numerous examples of the author’s sketches as well as examples of his vibrant finished paintings. Covering pencils, coloured pencils, charcoal and graphite, along with finished oil paintings, this book provides a fascinating insight into the author’s techniques.

Adebanji’s work covers a broad range of subjects, including landscapes, portraits, crowd scenes, urban scenes and seascapes. He’s particularly well known for his portraits and scenes of London. This book includes examples from a range of subject areas.

FOR THOSE WHO CAN’T WAIT, THESE ARE SOME LINKS BELOW TO PRE-ORDER:

Amazon

Search Press

Penguin

Painting in Morocco with Adebanji Alade 10th-18th October 2020

Adebanji bathed in the British sun, lets do it in Morocco!

 

I am really pleased to announce that I’ll be having a very cool painting holiday in Essaouira, Morocco from the 10th -18th of October, 2020.

Essaouria-town

It’s a great opportunity to paint alongside me and also watch me do the occasional demo in this lovely town of Morocco.

Ships and fishing boats in the harbor at the Sqala du Port, in Essaouira, Morocco, on the southern Atlantic Coast. Boats are used every day for fishing at sea, the ocean.

 

For FULL DETAILS PLEASE GO TO THE WEBSITE by clicking HERE.

Lets do this, apart from the painting you all know that you’ll receive endless motivation, inspiration and entertainment from my wealth of experience. Now lets do this! SHOWDEMMMMMMMM!!!!

Typical colorful textiles dye in the historic Kasbah of Fes, Morocco, Africa

 

 

LIFE LESSONS OF AN ARTIST -ADEBANJI ALADE

Following on from the inspirational 2012 documentary ‘Life Of An Artist’, addictive sketcher, Adebanji Alade gives his life lessons for creatives and artists of all kinds. He also has practical tips for aspiring plein air artists. With his inspirational style, he talks about his own life struggles, his approach to drawing and creativity and why he thinks you should ‘become friends’ with failure and rejection in order to succeed.

SUBSCRIBE TO THE CHANNEL FOR MORE INSPIRATIONAL FILMS and follow us on Twitter @spoonjarfilms.

 

Adebanji Presents “Decoding DaVinci on The One Show, BBC One.

This is for my international audience and those who might have missed this when it was aired on the 1st of February, 2019 on The One Show.

I really enjoyed this film because I was able to see the original Leonardo drawings right up close in the flesh. He was an addictive sketcher -so I used the experience to gain some real “master – student” infusion of inspiration. You can’t even imagine how thrilled I was to get my eyes and hands on his ORIGINALS!!!!!!

I visited the Royal collection in Windsor accompanied by Martin Clayton, The Leonardo Specialist, who oversees the 550 Leonardo Da Vinci drawings. We also visited the Diamond Light Research Centre located at the Harwell Science and Innovation Campus in Oxfordshire.

At The Diamond Light Research Centre, Leonardo’s drawings were put through a synchrotron to reveal hidden features in the Masters work. While at the Royal Collection the drawings were put under an Infra Red light. The results in both were mind-blowing!

An exhibition is going all round the country at the moment- CLICK HERE for details.

I also put my acrylic painting of Leonardo Da Vinci, through an Infra Red light at the Royal Collection and it revealed all my initial sketches in charcoal and the grid lines too….not something I would have loved to reveal….

I hope you enjoy this short film…..

                 Leonardo Da Vinci, Acrylic on Canvas, 12″ x 16″, 2018. £1,750.